8 Black Art Advisors Who Are Transforming The Art Market From The Interior



Alaina Simone worked in several galleries, including the GR N’Namdi Gallery, before becoming a liaison with the artists, curator and member of the board of directors. She approaches her interdisciplinary career with reverence and respect for the artists she works with and the clients she sells to, and draws on her own artistic training. “I grew up taking drawing, painting, piano and dance lessons when I was a kid,” she said.

Simone has many roles, serving as a consultant to artists, galleries and institutions while writing, producing and managing brand collaborations. Ruminating on what initially drew her to the art world, she cited her move to New York in 2006 and her first curatorial effort – an exhibition at GR N’Namdi in 2006 – as pivotal moments in her career. career. The Pindell exhibition showcased the artist’s signature monumental abstractions, tackling subjects that are both deeply personal and political. “The show received critical acclaim and was written by the New York Times, she recalls. “After that I knew I wasn’t going anywhere and wanted to stay in New York and live my dreams.”

Today, Simone focuses on breaking down the barriers that have prevented new collectors from accessing art directly from artists and galleries, and speaks honestly about the lingering issues within the industry that are holding back change. . “At the end of the day, it’s not about Blackness. It’s about ‘greenness,’ she said.“ It’s a business. The market idealizes the way galleries treat consultants. art It is not about community, it is about commodities.

Too often, said Simone, black artists leave black-owned galleries to sign with larger, top-notch galleries. This creates a destructive cycle for black gallery owners who invest and encourage artists from the start only to see them go as their careers and markets take off. “It would be nice if more black designers and consultants could benefit from the art of black artists, as they sell our culture in the process,” she said. “Usually, once an artist reaches a certain level, consultants are either marginalized or excluded from conversations. “

For Simone, remaining attached to black gallery owners and other champions of their work is in the interest of black artists themselves systematically excluded from the art world and often erased from the pages of art history. “Artists hold more power than they think,” she explained.



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